Literary tyroism can be no more than a reasoned account of the feeling produced upon the critic by the parole he is criticizing. It is in the first place, much too in the flesh(predicate) and in the second, it is concerned with values that science ignores. A critic must be emotionally alive in all(prenominal) fiber, intellectually capable and skilful in essential logical system and then morally very honest. Then it seems to me a serious critic should give his reader a few standards to go by. There are some writers who have much constituent in history of literary criticism. They exposed their theory, idea and aim a different criticism in books.
Practical criticism concerns itself with the raillery of particular works and writers, in an applied critique, the theoretical principles imperious the mode of the analysis, interpretation, antievolution are often left implicit, or brought in only as the occasion demands. a sing texts which the emblematic mode of practical criticism is called the American new criticism.
Aristotle----he criticized the coetaneous poetry. In his poetics the Greek philosopher Aristotle defined poetry as a mode of imitation----a fictional representation in a communicative medium of human beings thinking, feeling, acting and interaction---and focused his discussion on elements on such as plot, character and diction at bottom the work itself.
Philip Sydney--sir Phillip is a pioneer.![]()
That time people thought that literature was the reflection of vulgar things. he tried to protest this theory. he uphold his idea that literature is the central thing which is non dominate moral thing but give pleasure. in his age he develop the criticism which is 1st precipitate to a form.
Samuel Johnson-he started practical criticism. he published the criticism of Shakespeare. Johnson was limit by the limitations of his own age. Johnson comments on Shakespeares tendency to sacrifice fair play to convince.
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