Sophocles. Antigone. In Sophocles: The Three Theban Plays. Trans. Robert Fagles. New York, NY: Penguin, 1984: 55-128.
I felt that Ismene's procedure was weak and the chorus, played by Diana Mambreyan failed to embody the haunting and prescient tone of the chorus on Sophocles' original.
By using the Civil War as a setting, the director does a intelligent job of showing how the dilemma faced by Antigone in Sophocles' ancient world is still relevant in the modern era. When two brothers are killed, Creon orders the one loyal to the North to be buried. The other brother loyal to the South is deemed a " squealer" and refused burial (Aaron 2004). Antigone refuses to let him lie in the battlefield to stick dinner of vultures and wild dogs. Creon's stubbornness shows the need for mercy in a leader. As commander, he is counseled by his soldiers, a wizened old woman, and even his beloved son to let Antigone bury her brother. When he refuses to do so, even with such appeals, he sets the logical argument of tragedy in motion that brings the play to its close. Antigone is sent to her death. She hangs herself in her quarters. When he learns of her fate,
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